Jos Charles, there’s room in “thees wite skirtes” for thee and me, so let’s compose these rites alchemically.
I’m feeld-ing your guide, in which after all i will be fielding your queeries and questyons and in addition i will be getting emotions. Through which i am talking about reading your book makes me personally in a continuing work of effortful yet trans*lation that is fruitful. wen which i am talking about i’m holding your guide, holding you beside me when I cross personal feelds (trans-latio: to carry around).
Yours is just a language made strange: stretched and slanted and folded against itself so that it veers in and out of recognizability. Flux language, queer language, dense/dance language: graphically compressed, sonically ambiguous. Truly your Medievalist history being a scholar comes to your fore—and certainly, I’ve seen numerous reviews describe your projects as “Chaucerian.” Nonetheless, this assessment seems reductive if you ask me: your homophony relishes in countless possibilities—makes space for any other impacts like Louis Zukofsky (their sequence that is catullus Tommy Pico (their text lingo). Pokračování textu VIDA Reviews! feeld records: feeld, by Jos Charles. Jos Charles, there’s space in “thees wite skirtes” me, so let’s write these rites alchemically for thee and.